Scott Lord Silent Film: Gustaf Wasa (Brunius, 1928)

Scott Lord Silent Film: The Hunchback of Notre Dame (Worsley, 1923)

Scott Lord Silent Film: One Exciting Night (D. W. Griffith, 1922)

Scott Lord Silent Film: The Black Pirate (Parker, 1926)

Scott Lord Silent Film: The Lonedale Operator (Griffith, 1912)

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Scott Lord Silent Film: A Little Princess (Neilan, 1917)

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Scott Lord Silent Film: The Copper Beeches (Calliard, 1912)

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Scott Lord Silent Film: Lon Chaney in The Trap (Thomby, 1922)

Scott Lord Silent Film: Reaching for the Moon (Emerson, Loos, 1917)

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Scott Lord Silent Film: Rhubarb Vaseline in Mud and Sand

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Scott Lord Silent Film: Dr Pyckle and Mr. Pride (Pembroke, 1925)

Scott Lord Silent Film: West of Hot Dog

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Scott Lord Silent Film: The Slueth (Sweet, 1925)

Scott Lord Silent Film: Silent Film Studio Tour, Thomas Ince Studios

Scott Lord Silent Film: Knight of the Trail (Ince, 1915)

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Scott Lord Silent Film: Knight of the Trail (Ince, 1915)

Scott Lord Silent Film: The Invaders (Ince, 1912)

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Scott Lord Silent Film: Silent Film Studio Tour (M.G.M, 1925)

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Scott Lord Silent Film: A Fool There Was (Powell, 1915)

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Scott Lord Silent Film:The Death of Rudolph Valentino (Pathe Newsreel)

The volume “Valentino As I Knew Him” was quickly published in 1926 by S.George Ullman and the A.L.Burt Company. Ullmangives an account of his reminisces of Rudolph Valentino and his conversations with him. “The priest came at my summons and was alone with the dying man for some time...Rudy forced a smile so wan that it belied his brave words and said, ‘I’ll be alright’...’Don’t pull down the blinds! I feel fine. I want the sunlight to greet me.’...These were the last intelligible words he ever spoke.”