Scott Lord on the Silent Film of Greta Garbo, Mauritz Stiller, Victor Sjostrom as Victor Seastrom, John Brunius, Gustaf Molander - the Golden Age of Swedish Silent Film........Lost Films in Found Magazines, among them Victor Seastrom directing John Gilbert and Lon Chaney, the printed word offering clues to deteriorated celluloid, extratextual discourse illustrating how novels were adapted to the screen; the photoplay as a literature;how it was reviewed, audience reception perhaps actor to actor.
Scholar Bo Florin gives us a point of departure when seeking to analyze the ten reel film “Lady to Love” and the transition from silent to sound film by placing director Victor Sjsotrom as part of the M.G.M. Studio, adding that Sjostrom had ushered in the beginning of the Golden Age of Swedish Silent Film with his adapation of Ibsen’s poem Terje Vigen and effected the transition which would be carried through the merger of Swedish film companies that had changed Svenska Bio to Svenska Filmindustri, and in doing so it is important to Florin that both transitions were from quantity to quality when involving Victor Sjostrom.
Bo Florin sees the transition of silent to sound film as one that depicts both off screen and onscreen space through the use of diegetic sound. Florin sees the film "Lady to Love" as important when analysizing "the intersection of different cultures" and "the consequences of the transition to sound for an individual director who was frequently using visual 'sound effects' in his films during the silent era."
Actress Vilma Banky had in 1928 starred in the film "The Awakening" (Victor Fleming (nine reels), a film presently presumed to be lost with no surviving copies.
Victor Sjostrom
Sidney OLcott directed the one reel "Ben Hur" (The Chariot Race) with Frank Oak Rose during 1907 for the Kalem Film Manufacturing Company. The photoplay was scripted by Gene Gauthier, who appears in the film with actor William S. Hart.
Silent FilmSilent Film
