Scott Lord on Silent Film Hollywood, Lost Silent Film, Swedish Silent Film, Danish Silent Film

Scott Lord on the Silent Film of Greta Garbo, Mauritz Stiller, Victor Sjostrom as Victor Seastrom, John Brunius, Gustaf Molander - the Golden Age of Swedish Silent Film........Lost Films in Found Magazines, among them Victor Seastrom directing John Gilbert and Lon Chaney, the printed word offering clues to deteriorated celluloid, extratextual discourse illustrating how novels were adapted to the screen; the photoplay as a literature;how it was reviewed, audience reception perhaps actor to actor.

Tuesday, September 30, 2025

Scott Lord Silent Film: The Heart of a Hero (Chataurd, 1916)

Actress Gail Adams played the lead in the six reel film The Heart of a Hero about a Man Without a Country directed in 1916 by Emile Chautard and scripted by Frances Marion. Silent Film

Scott Lord Silent Film: A Fool There Was (Powell, 1915)

Silent Film

Directed by Frank Powell for the Fox Film Corporation, "A Fool There Was" (six reels) introduced actress Theda Bara to the audiences of 1915. The film also stars actresses Mabel Frenyoen and May Allison.

It is one of the only surviving films in which Theda Bara appeared, of the almost fourty films in which the actress appeared between 1916 and 1919, including "Camille" and "Madame Du Barry", only three minutes of footage survivive, nearly every single film in which she appeared on screen now presumed lost, with no existing copies.

Theda Bara wrote "How to Become a Vampire" for the June 1919 issue of Forum magazine and was interviewed by Olga Petrova for Shadowland magazine in 1922 and for Motion Picture Magazine in 1922, both instances of one actor interviewing another. Theda Bara married film director Charles Brabin in 1921, who that year was directing actress Estelle Taylor in the film "Footfalls" (eight reels).

"A Fool There Was" was remade during 1922 by director Emmett J Flynn and starred acress Estelle Taylor.

Silent Film
Silent Film

Victor Sjostrom

Victor Seastrom Swedish Silent Film More properly the headlines should read, "Garbo Talks, Seastrom Returns Home." Victor Seastrom, who had worked in the Swedish theater before pioneering in Swedish Film, returned to Sweden with the advent of the sound film, not to direct, but to act. As in Hollywood, the exterior of the Swedish landscape that had established Sjostrom, Stiller and Molander during the golden age of Swedish Silent Film, had taken the innovation of sound back to the proscenium arc of the interior with Molander managing the transition to dialogue centered films.

Victor Sjostrom

Several of the films directed by Victor Sjostrom use artistic experiments in camera technique conducive to conveying symbolic meaning and dramatically charged images, among them being Masks of the Devil, with John Gilbert, and the earlier Kiss of Death, made in Sweden. Victor Sjostrom had begun on stage as an actor in Sweden and appears both on screen as well as from behind the camera. it is an obvious tribute to The Phantom Carriage that Ingmar Bergman includes the actor Victor Sjostrom in a symbolic scene during Wild Strawberries. In his autobiography Images, Ingmar Berman regrets that his workbook to the screenplay to Wild Strawberries had been lost, but he continues to acknowledge the influence of Sjostrom as a director while he moved "spontaneously between different planes-time-space,dream-reality....the hearse that overturns with the coffin bursting open." Silent Film Victor Sjostrom