Scott Lord on Silent Film

Scott Lord on Silent Film
Gendered spectatorship notwithstanding, in a way, the girl coming down the stairs is symbolic of the lost film itself, the unattainable She, idealized beauty antiquated (albeit it being the beginning of Modernism), with the film detective catching a glimpse of the extratextural discourse of periodicals and publicity stills concerning Lost Films, Found Magazines

Friday, June 12, 2026

Scott Lord Silent Film: Mary Pickford in Rosita (Ernst Lubitsch, 1923)



While the film was in theaters, the periodical Moving Picture World headlined, "'Rosita' a Pictorial Gem, Marks Epic in Filmmaking". It began with alluding to the importance of casting actors in the star system as part of the audience expectations within a specific developing genre, perhaps genre system or matrix. "Mary Pickford has grown up. Sans curls and childish mannerisms, which earned her the title of 'America's Sweetheart' and with the aid of the wonderful directorial talents of Ernest Lubitsch, she had given us in 'Rosita' a pictorial gem which will go a long way toward making an epoch in filmmaking."

The nine reel film was photographed by Charles Rosher and scripted by Edward Knoblock.

Silent Film Mary Pickford

Scott Lord on Film: Mary Pickford in Kiki (Sam Taylor, 1931)

The 1931 sound film "Kiki" starring Mary Pickford is a remake of the nine reel silent film with Norma Talmadge as the titular character directed by Clarence Brown and scripted by Hans Kraly. Although, not a lost silent film it has been restored and only exists as incomplete.

Mary Pickford Mary Pickford