Erika Lunding, Stockholm University, in her paper on Archives, Curatorship and Curatorship, writes, "The posters were made to advertise a movie, in order for it to attract as many moviegoers as possible. The poster's illustration was supposed to catch the essence of the film and to summarize the story....The large image format was overwhelming and initially attracted viewers, even though the image content appeared abstract from a distance." In regard to Lost Silent Film, Found Magazines, Erika Lunding explains the value of movie posters to Style and graphic design, as well as image and text content of the movie posters, provide large amounts of information to viewers, many years after the film's premiere. The majority of silent movies are lost, however, the posters survive and have become valuable historical documents."
Swedish Silent Film
Swedish Silent Film
Gustaf Molander
Swedish Silent Film
Swedish Silent Film
Swedish Silent Film
Swedish Silent Film
Scott Lord on the Silent Film of Greta Garbo, Mauritz Stiller, Victor Sjostrom as Victor Seastrom, John Brunius, Gustaf Molander - the Golden Age of Swedish Silent Film........Lost Films in Found Magazines: Victor Seastrom directing John Gilbert and Lon Chaney, the printed word offering clues to deteriorated celluloid, extratextual discourse illustrating how novels were adapted to the screen; the photoplay as a literature, a social phenomenon; how it was reviewed, audience reception.
Scott Lord on Silent Film
Gendered spectatorship notwithstanding, in a way, the girl coming down the stairs is symbolic of the lost film itself, the unattainable She, idealized beauty antiquated (albeit it being the beginning of Modernism), with the film detective catching a glimpse of the extratextural discourse of periodicals and publicity stills concerning Lost Films, Found Magazines
Sunday, July 12, 2026
The Photoplay: Swedish Silent Movie Posters
Greta Garbo Victor Sjostrom Silent Film
Scott Lord on Silent Film, Scott Lord on Danish Silent Film, Scott Lord on Swedish Film, Scott Lord on Mystery Film
at
1:11:00 AM
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Greta Garbo Victor Sjostrom Silent Film
Scott Lord Swedish Silent Film,
Silent Film,
Silent Film Movie Posters,
Silent Movie Posters,
Swedish Silent Film
Scott Lord on Silent Film, Scott Lord on Swedish Silent Film, Scott Lord on Danish Silent Film
Thursday, July 9, 2026
Scott Lord Silent Film: Carol Dempster in The Girl Who Stayed Home (D.W. Griffith, 1919)
Directed by D.W.Griffith and photographed by G.W. Bitzer for the Famous Players Lasky Corporation "The Girl Who Stayed at Home" (seven reels) showcased actress Carol Dempster. In their volume The films of D.W. Griffith, Edward Wagenkneckt and Anthony Slide describe the theater transpiring on screen, the theatrical element, by contrasting the loves scenes of each of the two couples; compared to the Seymour-Harron affair, the "Carol Dempster-Richard Barthelmess love affair is strangely tepid; it lacks the joyful emotion of true feeling."
D.W. Griffith and S.E.V. Taylor had adapted the photoplay from an original story Taylor had written. D. W. Griffith
D.W. Griffith
D.W. Griffith and S.E.V. Taylor had adapted the photoplay from an original story Taylor had written. D. W. Griffith
D.W. Griffith
Greta Garbo Victor Sjostrom Silent Film
Scott Lord on Silent Film, Scott Lord on Danish Silent Film, Scott Lord on Swedish Film, Scott Lord on Mystery Film
at
8:20:00 PM
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Greta Garbo Victor Sjostrom Silent Film
Carol Dempster,
D. W. Griffith,
Silent Film 1919,
Silent Film G.W. Bitzer
Scott Lord on Silent Film, Scott Lord on Swedish Silent Film, Scott Lord on Danish Silent Film
Scott Lord Silent Film: Castle Films Yesteryear Lives Again
Greta Garbo Victor Sjostrom Silent Film
Scott Lord on Silent Film, Scott Lord on Danish Silent Film, Scott Lord on Swedish Film, Scott Lord on Mystery Film
at
8:19:00 PM
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Scott Lord on Silent Film, Scott Lord on Swedish Silent Film, Scott Lord on Danish Silent Film
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