Silent Film actor and actress Maurice Costello and Florence Turner star in the 1911 filming of "A Tale of Two Cities" (three reels), directed by Charles Kent. Among several later adaptations was "A Tale of Two Cities directed by Frank Lloyd in 1917.
Anthony Slide, in his volume The Big V, A History of The Vitagraph Company writes that "A Tale of Two Cities" and "Vanity Fair" (three reels) were the two major productions of 1911, with "A Tale of Two Cities" having recieved "lavish praise".
In regard to Lost Films, Found Magazines and the many lost silent films that were released by Vitagraph and the extratextural discourse that accompanied audience reception, Anthony Slide, in the chapter on Fan Magazines in his volume The Idols of Silence, explains that the approximation yellow journalism (the British Museum notes that Vitagraph had passed off studio reenactments as documentary footage) had quickly progressed to corporate, rather entrepenuer, exploitation, J. Stuart Blackton having founded Motion Picture Magazine with Motion Picture Story Magazine as "publicity organs" for Vitagraph. "The magazine was to publish fictionalized versions of the film releases of the various companies with each company being alotted equal space." The companies that later were in need of film preservation, through Lost Films Found Magazines, left film detectives an approximation of how photoplays were visualized through publicity stills and descriptive narrative. Both "Tale of Two Cities" and "Vanity Fair" were serialized in the periodical during their first theatrical run for Vitagraph.
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Scott Lord on the Silent Film of Greta Garbo, Mauritz Stiller, Victor Sjostrom as Victor Seastrom, John Brunius, Gustaf Molander - the Golden Age of Swedish Silent Film........Lost Films in Found Magazines: Victor Seastrom directing John Gilbert and Lon Chaney, the printed word offering clues to deteriorated celluloid, extratextual discourse illustrating how novels were adapted to the screen; the photoplay as a literature, a social phenomenon; how it was reviewed, audience reception.
Scott Lord on Silent Film
Gendered spectatorship notwithstanding, in a way, the girl coming down the stairs is symbolic of the lost film itself, the unattainable She, idealized beauty antiquated (albeit it being the beginning of Modernism), with the film detective catching a glimpse of the extratextural discourse of periodicals and publicity stills concerning Lost Films, Found Magazines
Monday, June 22, 2026
Scott Lord Silent Film: A Tale of Two Cities (Charles Kent, 1911)
Greta Garbo Victor Sjostrom Silent Film
Scott Lord on Silent Film, Scott Lord on Danish Silent Film, Scott Lord on Swedish Film, Scott Lord on Mystery Film
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1:04:00 AM
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Greta Garbo Victor Sjostrom Silent Film
Silent Film,
Silent Film 1911
Scott Lord on Silent Film, Scott Lord on Swedish Silent Film, Scott Lord on Danish Silent Film
Sunday, June 21, 2026
Scott Lord Silent Film: Noah’s Ark (Vitagraph, 1911)
Anthony Slide, as part of his complete list of the films made by Vitagraph concluding his volume The Big V, A History of the Vitagraph Company, chronicles "The Deluge" with no director credited as having been released during February of 1911,
Most films made by the Vitagraph Company can be listed as Lost Silent Film.
Silent FIlm
Silent Film Adam and Eve (Vitagraph, 1911) The Deluge
Greta Garbo Victor Sjostrom Silent Film
Scott Lord on Silent Film, Scott Lord on Danish Silent Film, Scott Lord on Swedish Film, Scott Lord on Mystery Film
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11:49:00 AM
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Greta Garbo Victor Sjostrom Silent Film
Biblical Drama ,
Silent Film,
Silent Film 1911,
Silent Film Vitagraph
Scott Lord on Silent Film, Scott Lord on Swedish Silent Film, Scott Lord on Danish Silent Film
Scott Lord Silent Film:The Vicar of Wakefield (Ernest C. Warde, 1917)
The sixth silent film version of "The Vicar of Wakefield" (eight reels) in about that many years was filmed by Ernest C. Warde for the Tanhouser Film Corporation. That year Warde had also filmed an adaptation of the Wilkie Collins novel "A Woman in White" starring Florence LaBadie.
The periodical Motion Picture News when reviewing the film adaptation was laudatory of the novel by Oliver Goldsmith, claiming that it was widely read and accoladed by the authors Irving, Scott and Goethe. "So the picture 'Vicar of Wakefield' is stripped of its fine English and narrowed down to bare plot....His plot, if it may be called such, is grossly episodic and wanders," The magazine then appraised the film as a costume drama, Ernst Warde in the production of "The Vicar of Wakefield" has achieved a wonderful atmosphere, realistic to the period, the mid-eighteenth century."
Silent Film Silent Film
The periodical Motion Picture News when reviewing the film adaptation was laudatory of the novel by Oliver Goldsmith, claiming that it was widely read and accoladed by the authors Irving, Scott and Goethe. "So the picture 'Vicar of Wakefield' is stripped of its fine English and narrowed down to bare plot....His plot, if it may be called such, is grossly episodic and wanders," The magazine then appraised the film as a costume drama, Ernst Warde in the production of "The Vicar of Wakefield" has achieved a wonderful atmosphere, realistic to the period, the mid-eighteenth century."
Silent Film Silent Film
Greta Garbo Victor Sjostrom Silent Film
Scott Lord on Silent Film, Scott Lord on Danish Silent Film, Scott Lord on Swedish Film, Scott Lord on Mystery Film
at
12:46:00 AM
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Greta Garbo Victor Sjostrom Silent Film
Scott Lord Silent Film,
Silent Film,
Silent Film 1917
Scott Lord on Silent Film, Scott Lord on Swedish Silent Film, Scott Lord on Danish Silent Film
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