Silent Film: Greta Garbo, Victor Sjostrom,

Victor Sjostrom

Victor Seastrom Swedish Silent Film More properly the headlines should read, "Garbo Talks, Seastrom Returns Home." Victor Seastrom, who had worked in the Swedish theater before pioneering in Swedish Film, returned to Sweden with the advent of the sound film, not to direct, but to act. As in Hollywood, the exterior of the Swedish landscape that had established Sjostrom, Stiller and Molander during the golden age of Swedish Silent Film, had taken the innovation of sound back to the proscenium arc of the interior with Molander managing the transition to dialogue centered films.

Victor Sjostrom

Several of the films directed by Victor Sjostrom use artistic experiments in camera technique conducive to conveying symbolic meaning and dramatically charged images, among them being Masks of the Devil, with John Gilbert, and the earlier Kiss of Death, made in Sweden. Victor Sjostrom had begun on stage as an actor in Sweden and appears both on screen as well as from behind the camera. it is an obvious tribute to The Phantom Carriage that Ingmar Bergman includes the actor Victor Sjostrom in a symbolic scene during Wild Strawberries. In his autobiography Images, Ingmar Berman regrets that his workbook to the screenplay to Wild Strawberries had been lost, but he continues to acknowledge the influence of Sjostrom as a director while he moved "spontaneously between different planes-time-space,dream-reality....the hearse that overturns with the coffin bursting open." Silent Film Victor Sjostrom

Greta Garbo

Thursday, August 9, 2018

Scott Lord Silent Film: Reaching for the Moon (Emerson, Loos, 1917)

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Scott Lord on Swedish Silent Film, Victor Sjostrom and Greta Garbo

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