Scott Lord on Silent Film

Scott Lord on Silent Film
Gendered spectatorship notwithstanding, in a way, the girl coming down the stairs is symbolic of the lost film itself, the unattainable She, idealized beauty antiquated (albeit it being the beginning of Modernism), with the film detective catching a glimpse of the extratextural discourse of periodicals and publicity stills concerning Lost Films, Found Magazines

Wednesday, June 10, 2026

Scott Lord Silent Film: When Knighthood Was In Flower (Robert G. Vignola...






Director Robert G. Vignola adapted "When Knighthood Was In Flower" (twelve reels) from a work by Charles Major. The 1922 film stars Marion Davies with actresses Ruth Shepley, Theresa Maxwell Conover and Flora Finch.

In her autobiography WHen Movies Were Young, Linda Arvidson, D.W. Griffith's wife, includes a publicity still from "When Knights Were Bold", a "tabloid version" of the play, claiming that Cosmopolitan and Marion Davies had produced a remake with "When Knighthood was in Flower", a remake which she noted had "a remarkable cast of eighteen principal characters representing the biggest names in the theatrical and motion picture world.", Arvidson seeing it as a compliment that Hollywood had returned to the subjects of theater from before Hollywood had moved from the East Coast.

Lillian Gish under D.W. Griffith, in her autobiography The Movies, Mr. Griffith and Me, recalls being at the Biograph Film Company, "His wife was also acting at Biograph using her name Linda Arvidson. They played together in a couple of versions of 'When Knighthood Was in Flower' and they kept their marriage a secret to avoid criticism from other actors who might resent rwo Griffith's on one payroll."

The Best Moving PIctures of 1922-1923 gave its account of the writing of the film's scenario as an early example of its genre. "Charles Major's novel 'When Knighthood Was in Flower' was obtained by Mr. Hearst only after a death struggle with Mary Pickford, who controlled the rights. Miss Pickford wanted to produce it herself, but finally relinguished her hold, and it became a vehicle for the hitherto unrecognized art of Marion Davies".

Silent Film

Robert Vignnola

Tuesday, June 9, 2026

Scott Lord Silent Film: Lena and the geese (D.W. Griffith, Biograph, 1912)

During 1912 Mary Pickford, Kate Bruce and Mae Marsh starred for D.w. Griffith at Biograph in the one-reel "Lena and the Geese". The cinematographer of the film was G.W. Bitzer.

In her autobiography, The Movies, Mr. Griffith and Me, actress Lillian Gish gives an account of seeing the film recalls having viewed the film with her sister Dorothy and unexpectedly gaving recognized their friend Mary Pickford, then Gladys Smith. "What a satisfying film it was calculated to move the heart and encourage the tear ducts."

Silent Film D.W. Griffith Biograph Film Company

Scott Lord Silent Film: Mary Pickford in Johanna Enlists (William Desmon...


Directed by William Desmond Taylor and coscripted by Frances Marion with Rupert Hughs as an adaptation of his story "The Mobilization of Johanna", the film "Johanna Enlists" (five reels) was photographed by Charles Rosher, whose daughter Joan Marsh appears in the film.

Silent Film

Silent Film