In "Hearts of the World" (twelve reels, 1918) D.W. Griffith during a scene in which soldiers are marching, used reversed direction cutting, which he had briefly used in "A Girl and Hard Trust (1912). Matching the screen direction when the camera cut had often preserved continuity in early silent cinema. The volume Motion Picture Directing, written in 1922 by Peter Milne, after having described D. W. Griffith's method of working without a script or continuity, then suprisingly adds that Griffith was not only interested with putting spectacle on the screen, but was attentive to the drama surrounding the characters, drama that might deepen or change the characters being developed, "He brought before the eye all the horrible realities of the battlefield, used them to dramatic prupose time and time again. And yet in the midst of all this spectacular action he never for once lost sight of the personal element of the story, this element represented on the battlefield by Robert Harron, who played the part of the young soldier."
Despite episodes of crosscutting, author William K. Everson suprisingly writes of there being "evidence" that a substantial amount of "Hearts of the World" was not only written but directed by Eric von Stroheim.
In her volume D.W. Griffith, American film master, Iris Barry, who seems to study Griffith's films by comparing one to another, disagrees with the idea of one Griffith masterpiece over shadowing the one that had come before, writing, "T'Hearts of the World' must be judged as a prpoaganda film and as such it is very effective; but otherwise it seems on the whole, disappointing. One looks in vain for the passionate momentum of its immediate predecessors....The film, however, was a personal triumph for Lillian Gish, as the distraught heroine, for her sister Dorothy in a comedy role and for Eric von Stroheim as a German officer."
After filming “Hearts of the World”, D.W. Griffith featured actress Lillian Gish in another drama set during World War I, “The Great Love” (1918). The film is lost with no copies surviving. Photographed by G.W. Bitzer, it was produced by Famous Players Lasky. Also starring actresses Gloria Hope and Rosemary Theby, the exact running time is listed by Edward Wagerknect as being unknown, between five and seven reels. The love interest of the film involves a soldier and a clergyman's daughter adapted from a story written by D.W. Griffith titled Women and The War.
There are also thought to be no surviving copies of the film "The Greatest Thing in Life", also directed during 1918 by Griffith, photographed by G.W. Bitzer and also starring Lillian Gish and Kate Bruce. Wagerknect and Slide credit portrait photographer Hendrik Sartov with shooting close-ups in the film. The original title of the story was "Cradle of Souls".
Lillian and Dorothy Gish D. W. Griffith D. W. Griffith
