Scott Lord on the Silent Film of Greta Garbo, Mauritz Stiller, Victor Sjostrom as Victor Seastrom, John Brunius, Gustaf Molander - the Golden Age of Swedish Silent Film........Lost Films in Found Magazines, among them Victor Seastrom directing John Gilbert and Lon Chaney, the printed word offering clues to deteriorated celluloid, extratextual discourse illustrating how novels were adapted to the screen; the photoplay as a literature;how it was reviewed, audience reception perhaps actor to actor.
Swedish silent film director Gustaf Molander had in fact been at the Intima Theatern from 1911 to 1913.
In regard to the film “Synd”, Forsyth Hardy writes, “The Merzback influence had helped to scale down the Strindberg drama into a thriller.” In his volume Scandinavian Film, Forsyth Hardy, while outlining that there had been a turn to a more theatrical style in cinema just prior to the advent of the sound film and, for economic reasons, an attempt to make films that could be exported, mentions that there had been a departure from the tradition of the Golden Age of Swedish silent film that conversely gained little recognition outside of Sweden. Paul Merzbach had become head of the script writing department and produced films directed by Gustaf MOlander that were, according to Hardy, “superficial rootless products”.
Starring in the film “Synd” (Sin, 1928) were Lars Hansonand Elissa Landi. The cinematographer of the film was Julius Jaenzon with Ake Dahlquist as assistant camerman.
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