Scott Lord Silent Film: Hotel Imperial (Mauritz Stiller, 1927)

The periodical Photoplay during 1927 looked at the film "Hotel Imperial", "Here is a new Pola Negri in a film story at once absorbing and splendidly directed...Hotel Imperial places Mauritz Stiller at the forefront of our imported directors. It will give high interest to his forthcoming work with Emil Jannings." Moving Picture World of that year listed it under "romantic drama" and under "love drama" as well.

Under its Drawing Power subheading Motion Picture News in 1927 wrote,"Suitable for first run and all types of houses.Title and star should draw them." and under its EXploitation Angles subheading it wrote,"Play up Pola's best American film. Tease the title."

Psul Rotha, in his volume The Film Till Now, writes, "THe whole of the first reel was superbly done, the empty streets,the deserted hotel, the girl about to begin her day's work, her hiding of the officer, his raving delerium. This was Pommer and Stiller using great skill......Not only was it the come back of Miss Negri, it was a triumph of a star in a role that asked no sympathy."

Swedish Silent Film director Mauritz Stiller is credited with having directed Pola Negri in the 1927 six reel film "The Woman on Trial", photographed by Bert Glennon and co-starring actor Einar Hanson and actress Veronica Veronma. The film is presumed lost with only fragments surviving. Pola Negri during 1929 had starred in "The Secret Hour" (eight reels) directed by Roland V. Lee. The film is presumed to be lost with no surviving copies.

The last film shot by Mauritz Stiller, "The Street of Sin" (finished by Ludwig Berger, seven reels, 1928) is also a lost film and was also photographed by Bert Glennon. Paul Rotha writes, "No expense was spared in its making. The script was well-balanced, the continuity good, the setting natural. Yet, for some obscure reason."

Swedish Silent Film Mauritz Stiller