Scott Lord on the Silent Film of Greta Garbo, Mauritz Stiller, Victor Sjostrom as Victor Seastrom, John Brunius, Gustaf Molander - the Golden Age of Swedish Silent Film........Lost Films in Found Magazines, among them Victor Seastrom directing John Gilbert and Lon Chaney, the printed word offering clues to deteriorated celluloid, extratextual discourse illustrating how novels were adapted to the screen; the photoplay as a literature;how it was reviewed, audience reception perhaps actor to actor.
In Sweden, during 1922, Victor Sjostrom directed Jenny Hasselqvist in “Love’s Crucible”, co-scripted by Hjalmer Bergman and photographed by Julius Jaenzon. Nils Asther and Gosta Emmanuel appear on screen in the film. Author Forsyth Hardy, in his volume Scandinavian Film notes that the film was "an elaborate and spectacular historical film". Forsyth Hardy implies that "Vem Dormer" was not only an example of the Golden Age of Swedish Silent Film but an overwhelming attempt to save it, it having been an expensivefilm to make in hooe of regaining an overseas audience that had begun to lose interest in serious Swedish Films. "All the resources of the newly completed Rasunda Studios were mobilized to make the spectacular Vem Dormer." During the following year, 1923, Jenny Hassellquist starred in another collaboration between Victor Sjostrom and Hjalmer Bergman, the Film “Eld Ombord” (“The Hellship”)in which she appeared on screen with Victor Sjostrom, while under his direction. Actor Matheson Lang and actress Julia Cederblad appear with her in the film, which was photographed by Julius Jaenzon.
No comments:
Post a Comment