Scott Lord on Silent Film

Scott Lord on Silent Film
Gendered spectatorship notwithstanding, in a way, the girl coming down the stairs is symbolic of the lost film itself, the unattainable She, idealized beauty antiquated (albeit it being the beginning of Modernism), with the film detective catching a glimpse of the extratextural discourse of periodicals and publicity stills concerning Lost Films, Found Magazines

Wednesday, September 25, 2024

Scott Lord Silent Film: When Knighthood Was In Flower (Robert G. Vignola...






Director Robert G. Vignola adapted "When Knighthood Was In Flower" (twelve reels) from a work by Charles Major. The 1922 film stars Marion Davies with actresses Ruth Shepley, Theresa Maxwell Conover and Flora Finch.

In her autobiography WHen Movies Were Young, Linda Arvidson, D.W. Griffith's wife, includes a publicity still from "When Knights Were Bold", a "tabloid version" of the play, claiming that Cosmopolitan and Marion Davies had produced a remake with "When Knighthood was in Flower", a remake which she noted had "a remarkable cast of eighteen principal characters representing the biggest names in the theatrical and motion picture world.", Arvidson seeing it as a compliment that Hollywood had returned to the subjects of theater from before Hollywood had moved from the East Coast.

The Best Moving PIctures of 1922-1923 gave its account of the writing of the film's scenario as an early example of its genre. "Charles Major's novel 'When Knighthood Was in Flower' was obtained by Mr. Hearst only after a death struggle with Mary Pickford, who controlled the rights. Miss Pickford wanted to produce it herself, but finally relinguished her hold, and it became a vehicle for the hitherto unrecognized art of Marion Davies". Silent Film

Robert Vignnola

Wednesday, September 11, 2024

Scott Lord: The Thief of Bagdad (Walsh, 1924)


At the time Motion Picture Magazine began publishing publicity stills from the film "Thief of Bagdad" during 1923, actress Evelyn Brent was the only player other than Douglas Fairbanks announced as being included in the cast, the studio having purchased ten acres to be used as sets fir the film.

The periodical Exhibitors Herld during 1924 announced that the film "The Thief of Bagdad", produced by Douglas Fairbanks came with a story written by Elton Thomas, the scenario editor Lotta Woods, "'The Thief of Bagdad' is a conglomeration of every impossible situation that could be dug out of every 'Arabian Nights' tale ever written, interspersed with a few that do not cause a stretch of the imagination to be what might have happenned."

Included with the autobiography of Douglas Fairbanks, Laugh and Live, is a biographical sketch that refers to Fairbanks occaisionally being called "Doug"; the pseudonym of Douglas Fairbanks was Elton Thomas.

SILENT FILM

Douglas Fairbanks SILENT FILM