"The Miller's Daughter", "The Song of the Shirt"(1908) and "A Corner of Wheat", directed by D.W. Griffith for the Biograph Film Company are early films that depicted the individual within a social context. Kay Sloan, in her copyrighted paper "Silent Cinema as Social Criticism, Front Page Movies", writes, "The comedies, melodramas and occaisional westerns about labor conflict, tenement poverty or political corruption reveal through fantasy an America torn with ideological conflict." Pointing out that film companies looked to the contemporay "muckrackers" for story lines, she includes the films "The Suffragete's Revenge" and "The Reform Candidate" as being timely depictions of audience involved in reception, extending that audience to the readers of Upton Sinclair, but later attributes the decline of social drama to the development of the feature film after World War I. She adds to these the film "The Govenor's Boss" which took its storyline from Tammany Hall while modernizing its theme and message, a technique often attempted by D.W. Griffith. Studio advertisements for "A Corner in Wheat" hailed "The Story of Wheat in Symbolism", writing, "This is possibly the most stirring and artistic subject ever produced by Biograph. It starts with an animated portrayal of Millet's masterpiece 'The Sowers'." "A Corner of Wheat" had been adapted by D.W. Griffith and Frank Woods from the novel "The Pit" and the short story "A Deal in Wheat", both written in 1903 by the sometimes controversial author Frank Norris.
The steady, weekly competition from other studios during 1909 was typical for the release of the Biograph film "In a Corner of Wheat"; from Selig there was "Pine Ridge Fued", from Lubin there was "Romance of the Rocky Coast", from Essany there was "The Heart of a Cowboy", from Vitagraph there was "Two Christmas-Tides" and from Edison Films there was "Fishing Industry in Gloucester, Mass.". The following week Biograph released "A Trap for Santa Claus" while Vitagraph vied for its audience with "A Midsummer Night's Dream" and Selig with "A Modern Dr. Jeckyll". As the competition was weekly, the month before Kalem had released "Dora", a dramatization of the poem by Alfred, Lord Tennyson and Vitagraph had offered "Lancelot and Elaine".
Silent Film
D.W. Griffith
Biograph Film Company
Scott Lord on the Silent Film of Greta Garbo, Mauritz Stiller, Victor Sjostrom as Victor Seastrom, John Brunius, Gustaf Molander - the Golden Age of Swedish Silent Film........Lost Films in Found Magazines, among them Victor Seastrom directing John Gilbert and Lon Chaney, the printed word offering clues to deteriorated celluloid, extratextual discourse illustrating how novels were adapted to the screen; the photoplay as a literature;how it was reviewed, audience reception perhaps actor to actor.
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