Scott Lord on Silent Film

Scott Lord on Silent Film
Gendered spectatorship notwithstanding, in a way, the girl coming down the stairs is symbolic of the lost film itself, the unattainable She, idealized beauty antiquated (albeit it being the beginning of Modernism), with the film detective catching a glimpse of the extratextural discourse of periodicals and publicity stills concerning Lost Films, Found Magazines

Wednesday, November 26, 2025

Nedbrudt nerven/The Hill Park Mystery (A. W. Sandberg, 1923)


Thomas C. Christenson, Who was kind enough to write to me from the Danish Film Institute last year, in his articles Restoration of Danish Silent Films: In Colour and Restoring a Danish Silent Film: Nedbrute Nerver writes about the restoration of what he deems to be “a comic mystery plot set in contemporary time in an unnamed Western country.” Nordisk Film Kompagni title books were used in the restoration to augment the original nitrate print.

Starring in "The Hill Park Mystery" was actress Olga d'Org, the photoplay having been written by Laurids Skands.


A.W. Sandberg, notably at a time when Denmark was looking for foreign markets to which to export Film to quell an economic crisis caused by competion from Hollywood, gained recognition as a director by adapting the works of Charles Dickens, including “Our Mutual Friend” (1921), starring Karen Caspersen, ”Great Expectations” (1922), starring Olga d'Org, “David Copperfield” (1922) and “Little Dorritt” (1924), starring Karina Bell and Karen Winther. Peter Cowie, in his volume Scandinavian Cinema, writes that Anders Wilhelm Sanders had chisen Dickens because of his "fondness of emotional drama".

Danish Silent Film

A.W. Sandberg

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