Picture Play magazine during 1927 featured stills from the eight reel film "Captain Salvation", starring Lars Hanson. They were captioned with, "Lars Hanson has another intensely dramatic role in 'Captain Salvation', that of a young New Englander whose heart is in the sea, but who is forced his uncle to go onto the ministry...Marceleine Day as the girl who waits for him at home." Motion Picture News Booking Guide during 1927 provided a brief synopsis of the film, "Theme: Melodrama of the sea. Adaptation of the novel by Fredrick William Wallace, Divinity Student forsakes the pulpit for the sea, forgets his faith and becomes aide of a much feared skipper. His regeneration is brought about through an unfortunate girl he befriends. After her death he is reunited with his sweetheart." The cameraman to the film is listed as William Daniels and the scenarist as Jack Dunningham. Photoplay Magazine reviewed the eight reel silent film as "a well knit drama of how the first gospel ship came into being. Pauline Starke is Excellant as the waterfront derelict." In a photo caption to a full page portrait of Pauline Starke, Picture Play magazine introduced her upcoming film, "If you saw 'Captain Salvation' you have no doubt of Pauline Starke's dramatic gifts. If you did not, you will find proof of them in 'Fallen Angles'".
With the advent of sound, Picture Play magazine in 1929 featured an article titled "Have foreigners a Chance Now?", written by Myrtle Gebhart, evaluating the inconstant position of foreign stars in the firmament "defeated by the microphone", including British actors that had already returned to England. The author turned to Sweden, "Greta Garbo's first out loud. 'Anna Christie' is fogged with her native accent...Enchanting Greta Nissen is routined with an obscure stock company to acquire English dexterity...Lars Hanson and Mona Martenson, better known abroad than Garbo did not click. That was prior to the accent age."
On his return to Sweden, Photoplay Magazine recorded,"Contentment meant more to Lars than money. He writes that he is happier than he has ever been in the Royal Dramatic Theater in Stockholm." Katherine Albert of Photoplay in 1932 seemed to feel she had the definitive account of Lars Hanson having had been excluded from sound film, although Hanson had returned to Sweden and would not much later costar with Victor Sjostrom who had relinquished directing upon his return to Sweden to continue only as an actor, the film having been shot by director Gustav Edren. She wrote, "And there was a Swedish Girl who had just been brought over with a great director. None of us could see why they had been given a contract. She was too tall, too gawky and had none of the requirements of a great actress. She just wandered about the lot and nobody paid her any attention. her name was Greta Garbo. No, we were concerned with the artists Lillian Gish and that marvelous actor Lars Hanson. And now who knows anything about Lars Hanson and where is Lillian Gish? While...well, if we had had sense enough to see what the girl had we wouldn't have been working in the publicity department."
Greta Garbo Love