Scott Lord on Silent Film

Scott Lord on Silent Film
Gendered spectatorship notwithstanding, in a way, the girl coming down the stairs is symbolic of the lost film itself, the unattainable She, idealized beauty antiquated (albeit it being the beginning of Modernism), with the film detective catching a glimpse of the extratextural discourse of periodicals and publicity stills concerning Lost Films, Found Magazines

Sunday, January 11, 2026

Scott Lord Silent Film: The Greatest Question (D.W. Griffith, 1919)





In her autobiography The Movies, Mr.Griffith and Me, actress Lillian Gish writes that D.W. Griffith had "hastily filmed" "The Greatest Question", implying that it was the first in a three film assignment from his new studio, First National. Gish notes that the films, which inclunded "The Idol Dancer" and 'The Love Flower", were not successful. "The cost of picture making had risen so high that even without other debts he was always courting complete ruin."

With D.W. Griffith at First National was cinematographer G.W. Bitzer.

Silent Film

D.W. Griffith

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