Scott Lord on Silent Film

Scott Lord on Silent Film
Gendered spectatorship notwithstanding, in a way, the girl coming down the stairs is symbolic of the lost film itself, the unattainable She, idealized beauty antiquated (albeit it being the beginning of Modernism), with the film detective catching a glimpse of the extratextural discourse of periodicals and publicity stills concerning Lost Films, Found Magazines

Thursday, October 2, 2025

Scott Lord Silent Film: Frances Howard in The Swan (Dimitri Buchowetzki,...

Author Paul Rotha, in his volume The Film Till Now, seems to have begun a retrospective on the work of film director Dimitri Buchowetski, "Of other European directors who have had their fling in Hollywood, Dimitri Buchowetski has not been successful." He apparently lacks the need to include Buchowetski having been taken of the set of the Greta Garbo film "Love", much like Mauritz Stiller had been taken of the set of the Greta Garbo film "The Temptress", and continues to asses other unsuccesul directors by merely listing them. The review of "The Swan" (six reels) in the periodical "Film Daily" from 1925 predates Rotha, "Tinselled Production That Glitters With The Best Art Directors Can Give and the Best Buchowtski Direction" It noted the film's direction by Buchowetski as having been "excellant", claiming "his unusual skill is displayed throughout." Buchowetski wrote and directed the film. His cameraman was Alvynn Wycoff. Silent Film Victor Sjostrom The Grand Duchess and the Waiter

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